Sequence from Little Demon ep. 107, “Satan’s Lot” 2022
dir: Ben Bjelejac
Sarah Oleksyk's Art Blog
Sequence from Little Demon ep. 102, “Possession Obsession” 2022
dir: Kelly Turnbull
Star vs the Forces of Evil, “Puddle Defender”
Amphibiland storyboard test
Sanjay and Craig, “Ain’t No Fang”
Star vs the Forces of Evil, “My New Wand!”
This Monday is the season finale of Star vs the Forces of Evil Season 2! It’s a one-hour special with two episodes, Face the Music and Starcrushed. I boarded the scenes of Queen Moon’s secret journey in Face the Music, which was the most fun I might have ever had doing a straight-up fantasy sequence. Moon rules!
Hope you all enjoy the finale!
My first episode of Star vs the Forces of Evil airs today! Written and storyboarded by me and Sarah Oleksyk
Check out Cassie’s phenomenal promo for today’s SVTFOE premiere! It was her first episode and is still one of our favorites. Happy watching!
Hey! I’m doing some non-canon, supplementary comics to go with Season 8 of Regular Show. Here’s the first one! Hope you enjoy!
Brilliant!
Heartbreaking! Excellent work by Maddie (I’d say “as always,” but I don’t want to take her skills for granted!)
(via mandathomas)
ihaveanimaginaryfriend asked:
I don't know if you opened the question I asked earlier, but I wanted to know more about storyboard design and how you got started in cartoons. I'm graduating high school and heading off to the pre-med track in college. But I really love cartoons and would want to write them as a living, do I need art experience (not the best artist), a lot degree? Please let me know, I'm really interested and would love to get involved in any way possible.
Hi there! I just learned I got a bunch of asks that Tumblr didn’t notify me about, so I’m sorry if this question is really out of date.
If you’d like to write for animation, it’s good to understand visual writing - scripting for comics or animation requires a lot of visual gags and scenarios. But you don’t have to draw anything to be a writer for a show; you just need to remember at all times that it will end up in a drawn state, and keep that in mind as you write your premises and scripts. Learning story structure is much more important. Understanding character development, being able to track a story arc through a short amount of time (will this story fit in 11 minutes?), etc is also necessary. Many non-artists get their start in production, either working as interns or as PA’s. Study the shows you love, write some spec scripts and start sending your work out!